Aboriginal Ontario: Historical Perspectives on the First by Edward S. Rogers, Donald B. Smith

By Edward S. Rogers, Donald B. Smith

Aboriginal Ontario: old views at the First countries comprises seventeen essays on points of the historical past of the 1st countries residing in the present-day obstacles of Ontario. This quantity overview the event of either the Algonquian and Iroquoian peoples in Southern Ontario, in addition to the Algonquians in Northern Ontario. the 1st part describes the weather and landforms of Ontario millions of years in the past. It incorporates a complete account of the archaeologists' contributions to our wisdom of the fabric tradition of the 1st international locations sooner than the coming of the Europeans. The essay sint he moment and 3rd sections glance respectively on the local peoples of Southern Ontario and northerly Ontario, from 1550 to 1945. the ultimate part seems at newer advancements. the amount comprises a variety of illustrations and maps, in addition to an intensive bibliography.

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13 L'homme et le cinema. Sequences no 10 (octobre 1957) 1-3. fr. Suite a la popularite que connait le cinema dans divers milieux, Sequences se propose d'etudier plus en profondeur cette nouvelle manifestation culturelle. 14 Glover, Guy. Film. The Arts in Canada : A Stock-taking at Mid-Century, edited by Malcolm Ross, 104-113. Toronto, Ont: Macmillan of Canada, 1958. 7 ill, En. Guy Glover begins this survey of Canadian film from 1939 to 1957 with the productions of the National Film Board (NFB) of Canada where Canadian short films were perfected.

Puis, elle remarque que certains cineastes s'attardent a 1'adolescence, le moment ou le couple se forme. Elle mentionne, entre autres, Sweet Substitute (1964) de Larry Kent, Depart sans adieux (1964) de Don Owen, Trouble-fete (1964) de Pierre Patry et Le Chat dans le sac (1964) de Gilles Groulx. Une autre representation des relations amoureuses est celle ou le couple, deja forme, fait face aux responsabilites professionnelles de rhomme comme dans Un autre pays (1963) de Donald Haldane et La Neige afondu sur la Manicouagan (1965) d'Arthur Lamothe.

L'auteur denonce les « Conserveries » de films canadiens et quebecois comme des agences de propagande, et parle de la clairvoyance de Gilles Pellerin qui situait le cinema dans une perspective d'enrichissement intellectuel. 30 Paquet, Andre, ed. How to Make or Not to Make a Canadian Film. Montreal, Quebec : Cinematheque canadienne, 1967. 48 p, 21 ill, En. French edition : Comment faire ou ne pas faire un film canadien. Under the title "A Chronology of Film in Canada : 18981967," Andre Paquet itemizes significant films, film related events, and government legislation in major Canadian cities by year.

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